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June 26, 2003

HOUSE PROUD
Paradise Regrouted

Curtice Taylor for The New York Times

Ricky Boscarino, a jewelry artist and potter, transformed a cabin and woods into Luna Parc, with mosaics influenced by Gaudí.

By WILLIAM L. HAMILTON
 
F a home says a lot about a person, Ricky Boscarino's can't shut up. It's his agent.

Mr. Boscarino, 42, is an artist who makes jewelry and pottery. He lives in Sussex County, N.J., at Luna Parc, a house with six acres of gardens that looks like the cake left out in the rain in Jim Webb's "MacArthur Park." The "madcap" (as Mr. Boscarino puts it) decoration of a rural hunting cabin and woods — his kingdom and craft studio for 14 years — also recalls Gaudí's Guëll Park in Barcelona, which he very much admires.

Luna Parc is not only Mr. Boscarino's home, it is his largest work and his calling card as an artist. It has been seen near and far, in local newspapers and guides, and nationally on HGTV's "Extreme Homes." Mr. Boscarino belongs to that elite class of master builders who are just crazy enough to garner wide attention, which is lucrative at that. As an artist well publicized by his self-initiated shrine, he makes $250,000 in a good year, $100,000 on the average. Wackiness pays.

Mr. Boscarino invites the public twice a year. The "Chapel of the Saints" is available for weddings. A scarlet gingerbread out-shed, it is dedicated to his Sicilian grandfather, Giuseppe, who, according to Mr. Boscarino's Web site, www.lunaparc.com, "witnessed a miracle." There are postcards of Luna Parc in a rack in the dining room, and a poster is on its way. The artist is not above wearing a crown (he designed it, in fact) for children or photographers.

On Friday, Mr. Boscarino, who looks like a young version of Velázquez's subject Pope Innocent X, stood in his office during his summer open house and studio sale, making change, answering his cellular telephone, and directing the three volunteers helping with the tourists and their transactions.

Curtice Taylor for The New York Times

The artist, Ricky Boscarino.
 

Curtice Taylor for The New York Times

The kitchen, with collections of bottle caps and bowling balls.

"Twenty-four the pair in sterling," he said, pricing a pair of earrings shaped like an artist's easel and a paint brush. White boxes sat on the desk, labeled, Insects; Monkeys; Coffee/Tea Cups. Mr. Boscarino is nothing if not prolific.

"It's not easy being me, let me tell you," he said, with enough humor to defuse the observation without denying it.

"I'm not going near that one," said Tuck Mortimer, swiveling in a chair. Also an artist, he is an unpaid factotum at Luna Parc who was briefly Mr. Boscarino's personal partner and is his best friend.

With its mixture of quaintness and industry, Luna Parc could be the home of an aggressively ambitious elf, someone who worked for Santa and got tired of the arctic weather and the December deadlines. An elf who decided he wanted a workshop of his own. ("I make the stuff, don't I?")

To his credit (and in his defense) Mr. Boscarino appears to be having fun.

"Ricky's such a trip," said Frances Naftal, a visitor trying on a pair of earrings. Ms. Naftal owns the farm next door to Luna Parc. She lowered her voice to a whisper.

"Everything he does is creative," she said. Rain streaked the windows like a ceramic glaze. "You haven't seen this place when the sun's out. I mean, it's a happening," Ms. Naftal whispered again.

"It makes you think," she said.

Mr. Boscarino, who surprised even his real estate agent when he expressed interest in the nondescript house in 1989 (he purchased it for $90,000), didn't renovate extensively. He knocked a Chinese-style moon-gate window into the facade; painted the exterior vivid colors like yellow and blue; transformed the interior with his collections of just about everything, including bottle caps, snowshoes and Buddhas; and planted the lawns with his sculptures, many wired as lamps, early-amusement-park style.

"There was only one neighbor who was upset when I started, but they've since moved," Mr. Boscarino said. Asked if he might have been part of their decision, he said: "I don't know. I hope so."

Mr. Boscarino next built a jewelry studio, adding a pottery studio last year. In 2000, he completed a five-year bathroom addition that includes four stained-glass windows depicting the journey of life from birth (spermatozoa) to death (skeleton); a urinal; a bidet; a Philco cabinet radio; and a whirlpool tub with a water spout that looks like a creature from Jules Verne. The shower is beneath a plastic dome, which, viewed from the outside, is a cupola with three cherubs.

"I come from a long line of pack rats and putterers," Mr. Boscarino said. "All the old Italian men, both my grandfathers and my uncle, were furniture makers, cabinet makers, always collecting, building, installing contraptions in the basement." Mr. Boscarino, who has two sisters, older and younger, who are also artists, is Italian on his mother's side, Sicilian on his father's.

"They make the distinction," he said.

The property's name, Luna Parc, is taken from an amusement park outside Rome, where Mr. Boscarino, as a student at the Rhode Island School of Design, spent a year.

Development continues. A "ballroom/museum," which will expand and replace Mr. Boscarino's small sitting room, now centered on a wood-burning stove, is the next phase. In preparation, he is assembling materials like empty bottles, sorted by color in supermarket carts that dot the immediate yard. They will be used as ornament, intact or broken for mosaic work.

"Ricky puts out the word," said Ms. Naftal, walking the winding path from studio to house, as the trees shivered with rain. " `I need blue glass.' "

Mr. Boscarino and Mr. Mortimer have a standing order at tile shops for discontinued or discarded tiles, which are arranged, in a random shuffle, on floors and walls, as they are in the the new pottery studio.

An Eiffel Tower of sporting trophies, wired together to form what will become itself a giant trophy, was started last month.

Mr. Boscarino, with his parents, sisters and friends like Mr. Mortimer, has been his own crew on most projects. Only the capacious toon-terrazzo bathroom, Mr. Boscarino's Sistine cistern, tried his patience as a homeowner or an artist.

"I've kind of created a monster," he said. "Now I'm obsessed with the concept of constantly building. When I'm not building, I feel like I'm slacking."

Mr. Boscarino likes to imagine Luna Parc as an educational center, and his life as an artist with something concrete to show for his efforts, as something of an education. School groups and crafts classes take field trips to the site, which entertained 600 people at Mr. Boscarino's previous open house.

"I think it's important for kids who are headed toward the arts to understand that there's a way to live your art, and make a living," he said. "Even if you're not going to be an artist, there's a way to live creatively."

After putting it up, Mr. Boscarino has never taken anything down, or deacquisitioned an object from his collections, which he started as a teenager when his mother, a veteran thrift store shopper and flea marketer, swept the house clean in the 1970's for new and modern furnishings.

"That's the point at which I got zealous about never throwing things away," he said. If it was a traumatic reaction, Mr. Boscarino, who is as even-keeled as a flat-bottomed boat on a pleasure-grounds pond, has shelved it somewhere between the specimen bugs and the Pooh Bear bookends.

Mr. Boscarino said that he was getting more serious as a collector, though.

"I used to collect kitsch, now it's more handmade, pottery and glass," he explained. He owns a vase thrown by Beatrice Wood, the California potter recognized as a seminal figure in the American studio craft movement of the 20th century. Mr. Boscarino visited Ms. Wood at her home in Ojai in 1994. Ms. Wood died in 1998.

"I told her I wanted to be just like her when I grew up," he said. Ms. Wood had just turned 101. "She attributed her longevity to chocolate and young men."

Mr. Boscarino hopes to retire as a potter when his success with jewelry has made him secure. He sleeps eight hours and "creates during the rest," said Mr. Mortimer, 33, a compact man with a goatee who has the gingerly tendered devotion of a rescued stray. Mr. Boscarino also worries about parking and buses, as Luna Parc's reputation snowballs down its country road.

But reality doesn't slow entrepreneurs down.

"One of my goals is to live to 100," Mr. Boscarino said, in emulation of Ms. Wood.

He smiled like a magician with an audience member at the crux of his trick. Luna Parc glowed, stage lighted, in the twilight.

"I'm planning on it," he said. "I've got a lot to do."

 

Copyright 2003 The New York Times Company

 

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